PLOT:
TUYA'S MARRIAGE is the indelible portrait of a strong woman determined to save her family, herself and her husband from separation, starvation and possibly worse circumstances.
Set in the remote inner Mongolian grassland, TUYA (Nan Yu,)is the iron-willed wife of Bater, a herdsman who has been paralyzed. Tuya takes up the sole responsibility to make a living for her family, but her hard labor endangers her health. The solution to their harsh reality is for Tuya to get divorced and remarried to a man willing to take on the responsibility of her children, her husband and tending their herdland the sole source of their livelihood.
Tuya is shown to be a strong-minded, stubborn, but gentle woman whose principles and her love for her family including her husband guide her decisions in life.
The Mongolian setting, the life style so different from our own, adds an element to the quirky plot that keeps the viewer enthralled as this determined mother/wife and woman bring the elements of modern day feminist's desire into reality.
Wrenching and beautiful: educational and empowering:. I recommend this film whole heartedly
Tuya's Marriage Open April 4, 2008
LindaZ
WBAI Women's Collective
AGORA: Dragged from her chariot by a mob of fanatical vigilante Christian monks, the revered astronomer was stripped naked, skinned to her bones with sharp oyster shells, stoned and burned alive as possibly the first executed witch in history. A kind of purge that was apparently big business back then.

CRITICAL WOMEN HEADLINES
THE OSCARS: WHERE ARE ALL THE WOMEN? WFCC MEMBERS WEIGH IN
DISSING DUVERNAY: THE LESSONS OF SELMA
WOMEN FILM CRITICS CIRCLE JURY AWARD PRESENTED AT THE RATED SR FESTIVAL
RACIAL POLITICS IN HOLLYWOOD, AND THE ACADEMY '40 YEARS BEHIND MISSISSIPPI'
FRANKLY MY DEAR: MOLLY HASKELL REVISITS GONE WITH THE WIND
WOMEN'S WORK: CLUNY BROWN AND THE ILLUSIONIST
DISSING DUVERNAY: THE LESSONS OF SELMA
WOMEN FILM CRITICS CIRCLE JURY AWARD PRESENTED AT THE RATED SR FESTIVAL
RACIAL POLITICS IN HOLLYWOOD, AND THE ACADEMY '40 YEARS BEHIND MISSISSIPPI'
FRANKLY MY DEAR: MOLLY HASKELL REVISITS GONE WITH THE WIND
WOMEN'S WORK: CLUNY BROWN AND THE ILLUSIONIST
3/27/08
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