Linda Stirling Unmasked: The Black Whip




AGORA
: Dragged from her chariot by a mob of fanatical vigilante Christian monks, the revered astronomer was stripped naked, skinned to her bones with sharp oyster shells, stoned and burned alive as possibly the first executed witch in history. A kind of purge that was apparently big business back then.


CRITICAL WOMEN HEADLINES

12/20/11

And The Winners Are...Women Film Critics Circle Awards 2011


The Women Film Critics Circle is an association of 57 women film critics and scholars from around the country and internationally, who are involved in print, radio, online and TV broadcast media. They came together in 2004 to form the first women critics’ organization in the United States, in the belief that women’s perspectives and voices in film criticism need to be recognized fully. WFCC also prides itself on being the most culturally and racially diverse critics group in the country by far, and best reflecting the diversity of movie audiences.

Critical Women On Film, a presentation of The Women Film Critics Circle, is their journal of discussion and theory, and a gathering of women’s voices expressing a fresh and differently experienced perspective from the primarily male dominated film criticism world. Critical Women On Film is online at: Criticalwomen.

   BEST MOVIE BY A WOMAN: TIE*
   The Iron Lady
   We Need To Talk About Kevin

   BEST MOVIE ABOUT WOMEN:

   The Help

BEST STORYTELLER:
   The Iron Lady: Abi Morgan

   BEST ACTRESS:

   Viola Davis: The Help
  
   BEST ACTOR:
   George Clooney: The Descendants

   BEST COMEDIC ACTRESS:

   Melissa McCarthy: Bridesmaids

   BEST YOUNG ACTRESS:

   Shailene Woodley: The Descendants

   BEST FOREIGN FILM:

   The Hedgehog

   BEST FEMALE IMAGES:

   The Whistleblower

   WORST FEMALE IMAGES:

   Melancholia

   BEST MALE IMAGES:

   The Descendants

   WORST MALE IMAGES:

   Hangover 2   

   BEST DOCUMENTARY BY OR ABOUT WOMEN:

   Semper Fi: Always Faithful

   BEST FAMILY FILM:

   Hugo

   BEST ANIMATED FEMALES

   Puss In Boots

   BEST EQUALITY OF THE SEXES:

   The Debt
   
   COURAGE IN ACTING:
   Glenn Close: Albert Nobbs

   THE INVISIBLE WOMAN AWARD: Tie*

   Hiam Abbass: Miral
   Michelle Williams: Meek's Cutoff

   BEST UNRELEASED MOVIE:

   Miss Representation

   WOMEN'S WORK: BEST FEMALE ENSEMBLE:

   The Help 
   
   BEST SCREEN COUPLE:
   The Artist: Berenice Bejo and Jean Dujardin

   LIFETIME ACHIEVEMENT AWARD: Tie*

   Kathy Bates
   Cicely Tyson

   ACTING AND ACTIVISM AWARD:

   Elizabeth Taylor

   ADRIENNE SHELLY AWARD

   The Whistleblower

   JOSEPHINE BAKER AWARD

   The Help

   KAREN MORLEY AWARD

   Albert Nobbs

   MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD

   Judi Dench: J. Edgar
     

 












 *ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women

*JOSEPHINE BAKER AWARD:
For best expressing the woman of color experience in America

*KAREN MORLEY AWARD:
For best exemplifying a woman’s place in history or society, and a courageous search for identity

*COURAGE IN ACTING
[Taking on unconventional roles that radically redefine the images of women on screen]

*THE INVISIBLE WOMAN AWARD
[Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]


**ADRIENNE SHELLY AWARD: Adrienne Shelly was a promising actress and filmmaker who was brutally strangled in her apartment in 2006 at the age of forty by a construction worker in the building, after she complained about noise. Her killer tried to cover up his crime by hanging her from a shower rack in her bathroom, to make it look like a suicide. He later confessed that he was having a “bad day.” Shelly, who left behind a baby daughter, had just completed her film Waitress, which she also starred in, and which was honored at Sundance after her death.

**JOSEPHINE BAKER AWARD;
The daughter of a laundress and a musician, Baker overcame being born black, female and poor, and marriage at age fifteen, to become an internationally acclaimed legendary performer, starring in the films Princess Tam Tam, Moulin Rouge and Zou Zou. She also survived the race riots in East St. Louis, Illinois as a child, and later expatriated to France to escape US racism. After participating heroically in the underground French Resistance during WWII, Baker returned to the US where she was a crusader for racial equality. Her activism led to attacks against her by reporter Walter Winchell who denounced her as a communist, leading her to wage a battle against him. Baker was instrumental in ending segregation in many theaters and clubs, where she refused to perform unless integration was implemented.

**KAREN MORLEY AWARD:
Karen Morley was a promising Hollywood star in the 1930s, in such films as Mata Hari and Our Daily Bread. She was driven out of Hollywood for her leftist political convictions by the Blacklist and for refusing to testify against other actors, while Robert Taylor and Sterling Hayden were informants against her. And also for daring to have a child and become a mother, unacceptable for female stars in those days. Morley maintained her militant political activism for the rest of her life, running for Lieutenant Governor on the American Labor Party ticket in 1954. She passed away in 2003, unrepentant to the end, at the age of 93.

12/13/11

Women Film Critics Circle Awards Nominations 2011



The Women Film Critics Circle has announced its 2O11 nominations for the best movies this year by and about women, and outstanding achievements by women, who get to be rarely honored historically, in the film world.

The Women Film Critics Circle is an association of 57 women film critics and scholars from around the country and internationally, who are involved in print, radio, online and TV broadcast media. They came together in 2004 to form the first women critics’ organization in the United States, in the belief that women’s perspectives and voices in film criticism need to be recognized fully. WFCC also prides itself on being the most culturally and racially diverse critics group in the country by far, and best reflecting the diversity of movie audiences.

Critical Women On Film, a presentation of The Women Film Critics Circle, is their journal of discussion and theory. And a gathering of women’s voices expressing a fresh and differently experienced perspective from the primarily male dominated film criticism world.

WOMEN FILM CRITICS CIRCLE
CRITICAL WOMEN ON FILM
Criticalwomen@gmail.com


BEST MOVIE BY A WOMAN
The Iron Lady
Pariah
We Need To Talk About Kevin
The Whistleblower


BEST MOVIE ABOUT WOMEN
Albert Nobbs
Cracks
The Help
Rid Of Me


BEST WOMAN STORYTELLER [Screenwriting Award]
In The Land Of Blood And Honey [Angelina Jolie]
The Iron Lady [Abi Morgan]
Pariah [Dee Reese]
We Need To Talk About Kevin [Lynne Ramsay]


BEST ACTRESS:
Jessica Chastain: The Debt/The Help
Viola Davis: The Help
Meryl Streep: The Iron Lady
Tilda Swinton: We Need To Talk About Kevin


BEST ACTOR
George Clooney: The Descendants
Jean Dujardin: The Artist
Tom Hardy: Tinker, Tailor, Soldier, Spy/Warrior
Ryan Gosling: Drive/The Ides Of March


BEST COMEDIC ACTRESS
Katy O'Grady: Rid Of Me
Melissa McCarthy: Bridesmaids
Sara Jessica Parker: I Don't Know How She Does It
Kristen Wiig: Bridesmaids/Paul


BEST YOUNG ACTRESS
Jordana Beatty: Judy Moody
Liana Liberato: Trust
Amara Miller: The Descendants
Shailene Woodley: The Descendants


BEST FOREIGN FILM BY OR ABOUT WOMEN
The Hedgehog
A Separation
In The Land Of Blood And Honey
When We Leave


BEST FEMALE IMAGES IN A MOVIE
Albert Nobbs
The Iron Lady
Soul Surfer
The Whistleblower


WORST FEMALE IMAGES IN A MOVIE
Jack And Jill
Melancholia
My Week With Marilyn
Young Adult


BEST MALE IMAGES IN A MOVIE
50/50
The Descendants
Meet Monica Velour
Of Gods And Men


WORST MALE IMAGES IN A MOVIE
Hangover 2
No Strings Attached
The Skin I Live In
Straw Dogs


BEST DOCUMENTARIES BY OR ABOUT WOMEN
The Price Of Sex
Semper Fi
The Woman With The Five Elephants
Women Art Revolution


BEST FAMILY FILM
Hugo
Judy Moody
The Muppets
Tintin


BEST ANIMATED FEMALES
Arthur Christmas
Gnomeo And Juliet
Kung Fu Panda 2
Puss In Boots 3D


BEST EQUALITY OF THE SEXES
The Debt
The Girl With The Dragon Tattoo
The Iron Lady
Midnight In Paris


COURAGE IN ACTING
Josiane Balasko: The Hedgehog
Mimi Chakarova: The Price Of Sex
Glenn Close: Albert Nobbs
Tilda Swinton: We Need To Talk About Kevin


THE INVISIBLE WOMAN AWARD
Miral: Hiram Abbass
Danai Gurira, Three Backyards
Red Shirley
Michelle Williams: Meeks Cutoff


WOMEN'S WORK: BEST ENSEMBLE
Albert Nobbs
Bridesmaids
The Help
The Whistleblower


 BEST SCREEN COUPLE
The Artist
Gnomeo And Juliet
The Iron Lady
Like Crazy


LIFETIME ACHIEVEMENT
Hiam Abbass
Kathy Bates
Cicely Tyson
Michelle Yeoh


ACTING AND ACTIVISM
Mia Farrow
Daryl Hannah
Elizabeth Taylor
Alfre Woodard


ADRIENNE SHELLY AWARD
In A Better World
In The Land Of Blood And Honey
Life Above All
The Whistleblower


JOSEPHINE BAKER AWARD
America
The Help
Pariah
3 Backyards


KAREN MORLEY AWARD
Albert Nobbs
The Conspirator
Meek's Cutoff
Snow Flower And The Secret Fan


*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women:

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America

*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity

*COURAGE IN ACTING: [Taking on unconventional roles that radically redefine the images of women on screen]

*THE INVISIBLE WOMAN AWARD: [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]

11/27/11

Deborah Kerr's Early Artistry, And Winston Churchill's Wrath


By Penelope Andrew
Huffington Post

"...With a title like Colonel Blimp, it's assumed the film is concerned solely with matters of men and war, but it's frequently Kerr's performance(s) that inflect it with layers of emotion and romance. In his autobiography, Powell described her as no less than, "the ideal... the flesh-and-blood woman whom I had been searching for ever since I had discovered that I had been born to be a teller of tales and a creator of dreams..."

CONTINUE TO READ ARTICLE HERE

Penelope Andrew writes for The Huffington Post AOL News, WestView News, Bright Lights Film Journal, Critical Women On Film and Arts Express Syndicate. She is a member of The Women Film Critics Circle.

9/18/11

Warrior Review: It Asks, How Do You Forgive When You Really Have Been Wronged?


By Logan Nakyanzi Pollard

'...And so this film underlines how the sons of cruel men can love again even though their hearts have been betrayed. And cruel men can change; they can grow humble and lose their powers.'

CONTINUE TO READ HUFFINGTON POST REVIEW HERE

Logan Nakyanzi Pollard is a featured commentator at The Huffington Post, and has reported for ABC News and The Guardian. Logan is a member of the Women Film Critics Circle.

8/15/11

Crime After Crime Movie Review: Can Everything That's Broken Be Mended?



By Logan Nakyanzi Pollard 

'...And it's not like I could say, oh go see this movie, it's such a great escape! It's not an opiate, not a nice pretty thing that gets tied up with a bow. It might make you cry and feel sad for the troubles of the world.'

CONTINUE TO READ REVIEW HERE

LISTEN TO DIRECTOR YOAV POTASH INTERVIEW HERE

Logan Nakyanzi Pollard is a featured commentator at The Huffington Post, and has reported for ABC News and The Guardian. Logan is a member of the Women Film Critics Circle.