AGORA: Dragged from her chariot by a mob of fanatical vigilante Christian monks, the revered astronomer was stripped naked, skinned to her bones with sharp oyster shells, stoned and burned alive as possibly the first executed witch in history. A kind of purge that was apparently big business back then.
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CRITICAL WOMEN HEADLINES
2/14/11
Refusing To Play The Star Card: A Conversation With Amy Ryan
By Winnie Bonelli
Amy Ryan refuses to play the “star” card. Packing a lifetime’s worth of credits into the past quarter century, the “actor’s actor” or “journeyman” turns in a unique performance each time. Whether it’s capturing Michael Scott’s heart on NBC’s “The Office” as Holly Flax, the dorky human resources rep, or serving as Dr. Paul Weston’s therapist on HBO’s “In Treatment.”
This month finds her on the multiplex screen as a loving wife, who opens her heart and home to an abandoned teenager in “Win Win.” Her spouse is Mike Flaherty, a morally upright man, husband and father. Economical times are rough, so who could blame him for crossing the ethical line just once. That’s the setup for Tom McCarthy’s grownup comedy-drama that casts Paul Giamatti as the financially strapped, New Jersey suburban lawyer and coach for a losing JV wrestling team.
Pocketing an easy $2,000 a month for assuming guardianship of his elderly client, who he packed off to assisted living, Flaherty encounters an unexpected consequence. The oldest’s runaway 16-year-old grandson, Kyle (newcomer Alex Shaffer) turns up on the doorstep with no place to stay.
Kyle gets the basement couch. Mike gets a talented wrestler. However, “Win Win” is about much more than a championship season, it’s an emotionally honest tale about redemption, second chances, today’s parenting and marriage.
Penning the script with Joe Tibone, McCarthy always had Ryan in mind to play Mike’s feisty wife Jackie. Singing her praises, McCarthy stated, “She’s very direct and she can be sharp, but underneath that there’s always a great sense of warmth and caring – and at the same time she is naturally funny. I think in many ways she is the heart of the movie.”
Striving to add an extra layer of authenticity, McCarthy maintained an element of secrecy while filming. The attractive blond-haired 41-year-old actress explained during a recent interview at Trump’s Soho hotel, “Tom kept us in the scene. We only knew what the characters knew as we went along. It was intended to stay away from any sense of judgment or betrayal on my part.”
So convincing were Paul and Amy’s on-screen chemistry that several journalists actually inquired whether they were husband and wife. Laughing, she admitted, “I feel like we went to grammar school together. We have this naughty electricity between us and I don’t mean that in a sexual way.”
Setting the record straight, Ryan is engaged to Eric Slovin. The couple has one daughter, Georgia Gracie, born in Oct. 2009. Already a well-traveled 17-month-old, Georgia can usually be found on location, since she first trekked to Rockville Center, Long Island daily for the filming of “Win Win.”
Ironically, it was an entirely different approach to parenting that first pivoted Ryan onto Hollywood’s A list. Ryan’s sympathy-invoking portrayal of a drug-addicted welfare mom in Ben Affleck’s 2007’s “Gone Baby Gone” garnered both an Oscar-bid and Golden Globe nomination.
Offers followed, only Ryan refused to be pigeon-holed and completely shifted emotional gears, landing a guest star turn on “The Office.” Originally, a one shot appearance, it evolved into 15 episodes, including Steve Carell’s wrap-up departure.
The final episode was recently filmed and the actress was involved, but Ryan isn’t revealing any plot secrets. “It’s just a phone call. I did a conference call table read, when it was over it was very emotional. People are sad to see him go, but I hope Will Ferrell’s four episode story arch will help,” stated the Queens, NY born, Manhattan resident, who’s television credits include a five year stint as Port Authority Officer Beatrice “Beadie” Russell on HBO’s critically acclaimed series “The Wire.”
She can also be seen on HBO’s “In Treatment” as Gabriel Byrne’s unruffled therapist Adele. Extremely intense, Ryan compares sitting in a single room with Byrne for up to 12 hours at a time to playing poker without ever revealing one’s cards.
Winnie Bonelli writes for The Newark Star-Ledger, Life & Style Magazine, and Herald News. She is a member of The Women Film Critics Circle.
12/20/10
The Women Film Critics Circle Awards 2010
The Women Film Critics Circle is an association of fifty-five women film critics and scholars from around the country and internationally, who are involved in print, radio, online and TV broadcast media. We came together in 2004 to form the first women critics organization in the United States, in the belief that women's perspectives and voices in film criticism need to be recognized fully.
BEST MOVIE ABOUT WOMEN
Mother And Child
BEST MOVIE BY A WOMAN
Winter's Bone
BEST WOMAN STORYTELLER [Screenwriting Award]
The Kids Are All Right: Lisa Cholodenko
BEST ACTRESS
Annette Bening/The Kids Are All Right
BEST ACTOR
Colin Firth/The King's Speech
BEST YOUNG ACTRESS
Jennifer Lawrence/Winter's Bone
BEST COMEDIC ACTRESS
Annette Bening/The Kids Are All Right
BEST FOREIGN FILM BY OR ABOUT WOMEN: *TIE*
Mother
Women Without Men
BEST FEMALE IMAGES IN A MOVIE
Conviction
WORST FEMALE IMAGES IN A MOVIE
Black Swan
BEST MALE IMAGES IN A MOVIE: *TIE*
Another Year
The King's Speech
WORST MALE IMAGES IN A MOVIE
Jackass 3D
BEST THEATRICALLY UNRELEASED MOVIE BY OR ABOUT WOMEN [Includes films released on DVD or TV, or screened at film festivals, in recognition of the limited opportunities available for films by and about women on screen]
Temple Grandin
BEST EQUALITY OF THE SEXES: *TIE
Another Year
Fair Game
BEST ANIMATED FEMALES
Despicable Me
BEST FAMILY FILM
Toy Story 3
LIFETIME ACHIEVEMENT AWARD
Helen Mirren
ACTING AND ACTIVISM
Lena Horne [posthumous]: [6/30/17- 5/9/10] As an anti-racist activist, she refused to appear before racially segregated US Army audiences in WW2 Italy-since the army was officially segregated, the policy was to have one show solely for white troops and another show solely for black troops. Horne insisted on performing for mixed audiences, and since the US Army refused to allow integrated audiences, she wound up putting on a show for a mixed audience of black US soldiers and white German POWs. Horne was also branded a 'communist sympathizer' by many right-wing conservatives because of her association with Paul Robeson and her progressive political beliefs, which led her to be blacklisted in the 1950s. Lena Horne passed away on Mothers Day at the age of 92.
*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women:
Winter's Bone
*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
For Colored Girls
*KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity
Fair Game
COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]
Helen Mirren/The Tempest
THE INVISIBLE WOMAN AWARD [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
Q'Orianka Kilcher/Princess Kaiulani
BEST DOCUMENTARY BY A WOMAN
A Film Unfinished
WOMEN'S WORK: BEST ENSEMBLE
Mother And Child
BEST SCREEN COUPLE
Another Year: Jim Broadbent/Ruth Sheen as Tom and Gerri.
*WFCC TOP TEN HALL OF SHAME*
*Please Note: The WFCC Top Ten Hall Of Shame represents the 'don't tell me to shut up' sidebar contribution of individual members, and does not necessarily reflect the opinions of the entire Circle. Also, members may be objecting to particular characters in a film, and not the entire movie.
MOMMIE DEAREST WORST SCREEN MOMS OF THE YEAR AWARD:
*Melissa Leo
The Fighter
*Jacki Weaver
Animal Kingdom
BLACK SWAN
*For turning 'everything was beautiful at the ballet' into a horror venue populated by female stereotypes.
CATFISH
*The documentary exploits the woman who 'invents' Facebook personalities (if indeed this all is to be believed). It's a smarmy movie in every respect.
*For it's blatant audience manipulation without any honesty. These filmmakers clearly used a real family for personal gain.
I AM LOVE
*Did Tilda Swinton really need to stand up her dead son at his funeral in order to dash off like in a late for a date emergency, to lock lips with her lover? Mommie Dearest Award runner-up.
INCEPTION
*For making sure that one (& only one) 'good' female character is on hand for the express purpose of killing the one (& only one) 'bad' female character so none of the men have to do it.
JOLENE
*Based on a story by Doctorow, it's a flagrantly misogynistic story, an excellent example of how tales about abused women are turned into porn films.
*Ditto, THE KILLER INSIDE ME, see above.
KICK-ASS
*For the exploitation of a 12 year old girl.
*I resent the film's implication that the best way to empower a girl is to portray her as a chirpily sadistic killing machine (and one who uses the 'c' word, to boot).
THE GHOST WRITER
*At large Polanski sets up Olivia Williams' Lady Macbeth spouse as not only the instigator of UK's collusion in Iraq, letting Blair off the hook. But the predatory extreme seductress aggressor nearly rapes the gullible Ghost as well, when cornering him in his tub with an offer of towels to dry his tush. The Female Made Me Do It defense.
TWILIGHT SAGA: ECLIPSE
*This film tells young girls, it's okay to sell your soul for a guy.
YOU AGAIN
*For perpetuation of the same-old same-old stereotypes of hysterical insecure women and reasonable, sage men.
The Women Film Critics Circle
Awards Season & Second Looks
SHELLEY WINTERS' PLACE IN THE SUN
By Penelope Andrew
Sixty years ago (1951 films competing for 1952 awards), Vivien Leigh -- who hadn't been nominated since her win for Gone With the Wind in 1939 -- won the Oscar for Best Actress in a Leading Role for A Streetcar Named Desire over actresses such as Katharine Hepburn and Shelley Winters for The African Queen and A Place in the Sun, respectively...
CONTINUE TO READ HUFFINGTON POST ARTICLE HERE
Penelope Andrew is a NYC-based writer who contributes to The Huffington Post, WestView News, and Critical Women on Film. She is a member of the Women Film Critics Circle.
By Penelope Andrew
Sixty years ago (1951 films competing for 1952 awards), Vivien Leigh -- who hadn't been nominated since her win for Gone With the Wind in 1939 -- won the Oscar for Best Actress in a Leading Role for A Streetcar Named Desire over actresses such as Katharine Hepburn and Shelley Winters for The African Queen and A Place in the Sun, respectively...
CONTINUE TO READ HUFFINGTON POST ARTICLE HERE
Penelope Andrew is a NYC-based writer who contributes to The Huffington Post, WestView News, and Critical Women on Film. She is a member of the Women Film Critics Circle.
12/19/10
Women's Work: Lubitsch & Chomet, Cluny Brown & The Illusionist
...Lubitsch's last film is a zany yet sophisticated satire on English manners laced with hilarious, sexual innuendo using every plumbing metaphor available. The English and their drains are just too damned stopped-up, which provide Boyer and Jones--her first, highly successful attempt at comedy--golden opportunities to delight us at every turn. When they can no longer deny their attraction, Belinski declares: "I would build you the most beautiful mansion, with the most exquisite and complicated plumbing, I would hand you a hammer, and say, Ladies and Gentlemen, Madame Cluny Belinksi is about to put the pipes in their place!"...
CONTINUE TO READ HUFFINGTON POST ARTICLE HERE
Penelope Andrew is a NYC-based writer who contributes to The Huffington Post, Westview News, and Critical Women on Film. She is a member of the Women Film Critics Circle.
CONTINUE TO READ HUFFINGTON POST ARTICLE HERE
Penelope Andrew is a NYC-based writer who contributes to The Huffington Post, Westview News, and Critical Women on Film. She is a member of the Women Film Critics Circle.
11/11/10
Sally Hawkins Talks Female Ford Plant Struggles, In Made In Dagenham
Hello Critical Women:
P.S My mother, Mary Perry Stone, was a social protest ( former WPA ) artist who told me of the sit-ins and strikes she was part of in the Thirties in NYC. So I was lucky to grow up in a family that believed in unions.
Maryperrystone.com
"Art is What Makes Us Human" scenes from Mary's exhibit in Dayton, Ohio 2- 2010. Mary died in 2007.
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