The Women Film Critics Circle Award Nominations 2014

                  Kristen Stewart, Camp X-Ray

The Women Film Critics Circle has announced its 2O14 unique nominations for the best movies this year by and about women. And outstanding achievements by women, who rarely get to be honored historically in the film world.

The Women Film Critics Circle is an association of 65 women film critics and scholars from around the country and internationally, who are involved in print, radio, online and TV broadcast media.

They came together in 2004 to form the first women critics' organization in the United States, in the belief that women's perspectives and voices in film criticism need to be recognized fully. And WFCC is celebrating its tenth anniversary this year. WFCC also prides itself on being the most culturally and racially diverse critics group in the country by far, and best reflecting the diversity of movie audiences.

Critical Women On Film, a presentation of The Women Film Critics Circle, is their journal of discussion and theory. And a gathering of women's voices expressing a fresh and differently experienced perspective from the primarily male dominated film criticism world.

BEST MOVIE ABOUT WOMEN
Camp X-Ray
The Homesman
Still Alice
Two Days, One Night


BEST MOVIE BY A WOMAN
Belle
Selma
The Babadook
The Pretty One


BEST WOMAN STORYTELLER [Screenwriting Award]
Belle: Misan Sagay
Ida: Rebecca Lenkiewicz
Obvious Child: Gillian Robespierre
The Babadook: Jennifer Kent


BEST ACTRESS
Marion Cotillard: Two Days, One Night
Carol Kane: Clutter
Julianne Moore: Still Alice
Kristen Stewart: Camp X-Ray


BEST ACTOR
Tom Hardy: Locke
Tommy Lee Jones: The Homesman
Eddie Redmayne: The Theory Of Everything
Jeremy Renner: Kill The Messenger


BEST YOUNG ACTRESS
Mira Grosin: We Are The Best
Lorelei Linklater: Boyhood
Saoirse Ronan: The Grand Budapest Hotel
Quvenzhane Wallis: Annie


BEST COMEDIC ACTRESS
Anna Kendrick: Happy Christmas
Helen Mirren: The Hundred-Foot Journey
Jenny Slate: Obvious Child
Kristen Wiig: Skeleton Twins


BEST FOREIGN FILM BY OR ABOUT WOMEN
Ida
Two Days, one Night
We Are The Best
Zero Motivation


BEST FEMALE IMAGES IN A MOVIE
Belle
Lucky Them
Obvious Child
1,000 Times Good Night


WORST FEMALE IMAGES IN A MOVIE
Gone Girl
Nymphomaniac
Sex Tape
Sin City: A Dame To Kill For


BEST MALE IMAGES IN A MOVIE
Cesar Chavez
Kill The Messenger
Love Is Strange
The Homesman


WORST MALE IMAGES IN A MOVIE
Bad Words
Big Eyes
Dumb And Dumber To
Listen Up Philip


BEST THEATRICALLY UNRELEASED MOVIE BY OR ABOUT WOMEN
Girlhood
Ukraine Is Not A Brothel


WOMEN'S WORK/BEST ENSEMBLE
The Homesman
Two Days, One Night
We're The Best
Zero Motivation


SPECIAL MENTION AWARDS

*COURAGE IN FILMMAKING:
CitizenFour


*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women
Frontera
Private Violence

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
Anita: Speaking Truth To Power
The Maid's Room


*KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity
Belle
Big Eyes

COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]
Carla Juri: Wetlands
Julianne Moore: Still Alice
Hilary Swank: The Homesman
Reese Witherspoon: Wild


THE INVISIBLE WOMAN AWARD: [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
Amy Adams: Big Eyes
Patricia Arquette: Boyhood
Felicity Jones: The Theory Of Everything
Hilary Swank: The Homesman


BEST DOCUMENTARY BY OR ABOUT WOMEN
Anita: Speaking Truth To Power
CitizenFour
Elaine Stritch: Shoot Me
She's Beautiful When She's Angry


MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD
Charlotte Gainsbourg: Nymphomaniac


BEST SCREEN COUPLE
Boyhood
Elsa & Fred
Obvious Child
Skeleton Twins

BEST LINE IN A MOVIE
Big Hero 6: “Stop whining. Woman up!”

A WOMAN'S RIGHT TO MALE ROLES IN MOVIES
Jessica Chastain: Interstellar

JUST KIDDING AWARDS:
 
*Forty-Plus Female Empowerment Award: For the producers who give women over forty meaningful roles in movies on a regular basis, in an industry where forty is the new ninety-five - and as other than maniacs and witches.

*Merry Macho Award: Seth Rogen and James Franco: For advancing the cause of world peace with their presidential assassination comedy, The Interview, and for further extending Hollywood as a wing of the US military and the CIA. And, while possibly mulling the Interview II sequel comedy -  the assassination of President Obama.

*ADRIENNE SHELLY AWARD: Adrienne Shelly was a promising actress and filmmaker who was brutally strangled in her apartment in 2006 at the age of forty by a construction worker in the building, after she complained about noise. Her killer tried to cover up his crime by hanging her from a shower20rack in her bathroom, to make it look like a suicide. He later confessed that he was having a "bad day." Shelly, who left behind a baby daughter, had just completed her film Waitress, which she also starred in, and which was honored at Sundance after her death.

*JOSEPHINE BAKER AWARD: The daughter of a laundress and a musician, Baker overcame being born black, female and poor, and marriage at age fifteen, to become an internationally acclaimed legendary performer, starring in the films Princess Tam Tam, Moulin Rouge and Zou Zou. She also survived the race riots in East St. Louis, Illinois as a child, and later expatriated to France to escape US racism. After participating heroically in the underground French Resistance during WWII, Baker returned to the US where she was a crusader for racial equality. Her activism led to attacks against her by reporter Walter Winchell who denounced her as a communist, leading her to wage a battle against him. Baker was instrumental in ending segregation in many theaters and clubs, where she refused to perform unless integration was implemented.

*KAREN MORLEY AWARD: Karen Morley was a promising Hollywood star in the 1930s, in such films as Mata Hari and Our Daily Bread. She was driven out of Hollywood for her leftist political convictions by the Blacklist and for refusing to testify against other actors, while Robert Taylor and Sterling Hayden were informants against her. And also for daring to have a child and become a mother, unacceptable for female stars in those days. Morley maintained her militant political activism for the rest of her life, running for Lieutenant Governor on the American Labor Party ticket in 1954. She passed away in 2003, unrepentant to the end, at the age of 93.