It would seem unusual to label a dramatic feature a biopic, when the content is based solely on the accusations of an admitted adversary with a vendetta against the subject in question. But once again, The Fifth Estate, an unabashed demonization of the sinister state secrets whistleblowing website Wikileaks and its head hacker extraordinaire Julian Assange, is all about what Hollywood does best - the one side to every story school of moviemaking. Or is it?
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