Screening Room: Documentary Fortnight at the Museum of Modern Art. Locating Hitchcock within the volatile historical currents his day, from the Cold War, the Cuban missile crisis, spectacle sparring between Nixon, JFK and Khrushchev, television versus radio, cinema versus television, consumerism, and suspect coffee commercials as sinister metaphor, to finally 'fear as commodity' in a catastrophe culture, within what seems like the ultimate reality film noir. And, whose Taliban? In Miscreants Of Talliwood. And more...
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