BEST FEMALE ACTION HERO
Keke Palmer, Alice
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BEST DIRECTRESS: COURAGE IN FILMMAKING
Olivia Wilde, Don't Worry Darling
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COURAGE IN ACTING
[Taking on unconventional roles that radically redefine the images of women on screen]
Danielle Deadwyler, Till
Anamaria Vartolomei, Happening
WOMEN'S WORK - BEST ENSEMBLE CAST
The Woman King
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THE INVISIBLE WOMAN AWARD
[Supporting performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
[Supporting performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
Charmaine Bingwa, Emancipation
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BEST KEPT SECRET - Overlooked Challenging Film Gems
Amitabh Reza Chowdhury, Rickshaw Girl
Nana Mensah, Queen Of Glory
WOMEN SAVING THEMSELVES AWARD
The Janes
MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR
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Blonde, Julianne Nicholson as Gladys
HALL OF SHAME
'Unique, provocative and stylishly opinionated'...Fasten your seat belts!
[Individual WFCC Member Picks]
*The Gotham Awards. For removing the category Best Actress, in the further erasing of women.
*Anatomy Citation. “It doesn't matter how much I do, I'm still not going to get paid as much as that guy, because of my vagina." - Jennifer Lawrence speaks out against the continuing literal shortchanging of actresses - regarding Lawrence paid five million dollars less than Leonardo DiCaprio for Don't Look Up, and less than the male cast Bradley Cooper, Christian Bale and Jeremy Renner for American Hustle.
*Cringe Citation. Harvey Weinstein's shameful audiotape recordings. And being reminded of them/him in 'She Said.'
*Too Much Information Citation: Emma Thompson, for Good Luck To You, Leo Grande.
*Blonde. For depicting only the worst fantasies about Marilyn Monroe, and none of her beauty, grace and intelligence.
*More Blonde. A film that re-exploited Marilyn Monroe and made me feel bad for her. She never had a chance in a man's world, and this film exploited her again through the unnecessary explicit scenes.
*And More Blonde. An overrated actress romping through the film exposing herself. And why the constant showing of embryos, is it to champion pro-lifers.
*Even More Blonde. Completely inaccurate. The portrayal of the actress is shallow and cliched, and the part of the speaking embryo comes across as a disquieting anti-abortionist statement. My review...
*She Said. A drama about the NY Times investigation into the sex charges against Harvey Weinstein, 'She Said' comes off more as a self-congratulatory promo for the NY Times, than emphasis on its victims. And intimating a kind of damage control there for its own numerous scandals - the weapons of mass destruction hoax, and most recently calling for the release of Julian Assange - without an apology for the paper's media participation in orchestrating his incarceration.
*The Cannes Film Festival. For disrespecting credentialed Deadline critic and distinguished WFCC member Valerie Complex, treating her with racist implications as an intruder there. On Being Black At Cannes: How Microaggressions Marred My Festival Experience
* Shame On DOC NYC. For announcing then scrubbing the name off their public list, secretly inviting as guest of honor a cinematographer from the Ukraine Neo-Nazi Azov Battalion, Dmytro Kozatsky. Who sports Nazi tattoos, and is fond of creating photographs of swastika carved pizzas. While dragging out from the premises a young woman protesting the event.
Stop interchanging "fetus" with "embryo" just to justify your views. That's not how the science of conception works.
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