DIRECTOR ELEANOR COPPOLA: PARIS CAN WAIT
*STEVE COOGAN TALKS THE DINNER
*PARIS CAN WAIT: A CONVERSATION WITH DIANE LANE AND ELEANOR COPPOLA
*STEVE COOGAN TALKS THE DINNER
*PARIS CAN WAIT: A CONVERSATION WITH DIANE LANE AND ELEANOR COPPOLA
FOOD FOR THOUGHT
Two new films mix cuisine and socio-cultural conflicted conversation:
LISTEN TO THE SHOW HERE
**
"I personally find it delightful to partake in an offering of a movie
that is without aliens, robots, explosions, train wrecks, dire disease
and plagues, or invasions from other planets."
That's
Diane Lane, talking about her starring role along with Alec Baldwin as
her emotionally self-absorbed spouse, in Paris Can Wait. Lane and the
writer/director Eleanor Coppola, wife of Francis Ford Coppola, met with
Arts Express to discuss how they explore through this film together in
front of and behind the camera as women, the journey beyond what is
much more than a road movie and the predominant male perspective, filter,
lens and narratives dominating cinema.
**
"No man is an island, and we have to engage with things around us and
speak our minds - and even though that means sometimes I'm going to
invite a little derision and some negativity from certain quarters - but
I'm okay with that."
Steve Coogan phones in to
Arts Express from London to talk about his role opposite Richard Gere in
The Dinner. And a film as much a mirror reflecting back critically on
the audience as it is a movie, in how the drama challenges viewers
regarding impulses that can compromise enlightened idealistic values
versus self-serving behavior - whether tribal, familial or both - that
dehumanizes and destroys those labeled as the "Other." And by extension,
that could be referring to director Oren Moverman's native Israel in
its treatment of the Palestinians, or the US inflicting horror on the
people of any number of countries - all in the context of a ridiculously
ostentatious and pretentious designer dinner.
A feature of the Tribeca Film Festival
** Tribeca Focus: The Foster File:
A Kurt Vonnegut page to screen allegorical tale of Wall Street money
versus musical obsession. Spotlighting humble grocery clerk Herbert
Foster 'who never owned more than one pair of shoes at a time' - and his
mysterious alternate persona Mr. Firehouse Harris, three nights out of
seven.
Arts Express: Airing on the WBAI/Pacifica National Radio Network and Affiliate Stations