AGORA
: Dragged from her chariot by a mob of fanatical vigilante Christian monks, the revered astronomer was stripped naked, skinned to her bones with sharp oyster shells, stoned and burned alive as possibly the first executed witch in history. A kind of purge that was apparently big business back then.


CRITICAL WOMEN HEADLINES

2/28/14

Yolanda Ross Talks Independent Spirit Awards and Memories of Philip Seymour Hoffman


Dynamic, singular and uber-talented, Yolonda Ross blazed a trail for herself that called the attention of film critics, audiences, her peers and the industry at-large, when she won IFP’s Breakthrough Actor Award in 2001. She was righteously lauded for her complex and urgent portrayal of a woman ‘on-the-outside’ world trying to pierce the walls of a prison by committing a crime, to find her way in to her definition of "home", in Cheryl Dunye's bold feature, Stranger Inside. Ironically, as an actress, she's also spent years, working to find her way ‘in’ and pierce the firm, often insular walls (albeit invisible) of the entertainment industry, where her creative soul knows that "finding home" is the place where she can get juicy work, and share her characters to their fullest with audiences. Not an easy mission met by talented actors, of color -- particularly when packaging, visibility, and casting come into play, in terms of truly breaking through.

That said, she certainly pierced another wall with her praised role as recent-parolee, Fontayne, in John Sayles' earthy, smart slow-burner, Go For Sisters. Financed independently by Sayles, Sisters has brought the spotlight back on the gifted Ms. Ross with her quietly magnetic, nuanced role. Alongside her dynamic co-star, Lisa Gaye Hamilton, she embarks on a road trip across the border -- later joined by Edward James Olmos -- to help her long-time friend, now a parole officer find her missing son, in a the underworld that Fontayne  knows a thing or two about. They're authentic ensemble to the core.

From collaborating with Phillip Seymour Hoffman’s Labyrinth Theater Company, to filming, most recently, with Viola Davis and Jennifer Lopez in the upcoming Lila & Eve, to appearing in the daring short, Afronauts, that premiered at Sundance 2014, Yolonda has managed to keep herself busy with TV, theater and film work, along her path while working with some fiercely talented filmmakers; though it’s been quite a challenge to just ‘be seen and heard from’. Always hopeful, she's  We caught up with the soulful, clear-eyed Independent Spirit Best Supporting Actress Nominee, Yolonda Ross, who just so happens to be the only actor in her category from an independent film, made outside of ‘Hollywood’. And we say: Go Yolonda! 

Lisa Collins, Guest Host on Arts Express Radio
 

LISTEN TO THE SHOW HERE
 

Lisa Collins is an independent filmmaker and journalist, and she is a member of The Women Film Critics Circle. Lisa was named by Filmmaker Magazine: 'One of the 25 New Faces of Independent Film.' She was invited to workshop her feature-length script, The Grass Is Greener at the Sundance Writers, Filmmakers and Producers Labs, respectively. The project was also invited to participate in the IFFM / IFP’s No Borders Feature Project program.
 

Lisa's feature documentary is Oscar's Comeback, in which 2 worlds collide at a unique annual festival in all-white town that celebrates their black native son, early 1900s homesteader-turned-film-pioneer, Oscar Micheaux. Controversial and largely forgotten, Micheaux is known to some as the Godfather of Independent Cinema. In addition to receiving support and mentorship from prestigious organization, Oscar's Comeback is proud to have been awarded repeated support from Chicken & Egg Pictures, in the form of an I Believe In You grant. More information about the project is at Oscar's Comeback on Facebook. 
Lisa Collins is a member of the Women Film Critics Circle.

2/15/14

And The Oscar Does Not Go To ... Nicole Holofcener


 By S. Jhoanna Robledo

There Can Never Be 'Enough Said' About This Academy Snub

'....It’s not easy to write people as complex and exposed as these. Unfortunately, the Oscars don’t always reward those who write them. Especially female writers. Of the 14 screenwriters nominated for 10 movies in the original and adapted screenplay categories this year, only two are women: Julie Delpy for the excellent Before Midnight and Melisa Wallack for Dallas Buyers Club. (Both share credit with male co-authors.)
So to hell with the Oscars. They break our hearts, and we’re too old for that shit...'

CONTINUE TO READ ARTICLE HERE

S. Jhoanna Robledo is contributing editor at New York Magazine. She has written for Self and Real Simple, and Babycenter.com, and she is the film critic at CommonSenseMedia.org. S. Jhoanna Robledo is a member of the Women Film Critics Circle.